The Bip2020 urea under the curation of Ilan Weiss, Camille Dufour and Rafaël Klepfisch are investing 1000 m2 in a former Decathlon in Liège. Every weekend, Camille Dufour and Rafaël Klepfisch print a hundred new engravings from the series of the 7 sins of capitalism in public.

At the heart of the device, the viewer is invited to take the original prints with them to display them in the city as soon as they leave the exhibition. He ends his engagement by photographing his hanging in the street, helping to create a vast collective photographic series. The performance praises a return to action in the face of mass production and ever more alienating technology. Gesture of engraving, printing; gesture to display in the street.

As the project progresses in the city, a map of Liège is incised at each place where engravings have been displayed. At the end of the exhibition, it is printed by hand, thus revealing a network of resistances keeping the engraved memory of ephemeral commitments.  

Returns to Capitalism, a video installation by Rafaël Klepfisch confronts monumental projections with prints by Camille Dufour. Seven videos continuously broadcast a recycling of images taken exclusively from the Internet. So many incarnations of the triumphant imagery that saturates the public space - here recomposed to better perceive its nature - and one crosses symbolically to enter the clandestine workshop.